In Cold Blood

In Cold Blood Author Truman Capote
ISBN-10 1588361659
Year 2001-10-09
Pages 432
Language en
Publisher Vintage
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National Bestseller On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence.

Kaltbl tig

Kaltbl  tig Author Truman Capote
ISBN-10 9783036992341
Year 2013-06-26
Pages 544
Language de
Publisher Kein & Aber AG
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Im November 1959 wird in Holcomb, Kansas, die vierköpfige Familie Clutter brutal ermordet. Wenige Wochen später werden die Täter Dick Hickock und Perry Smith auf der Flucht geschnappt. Truman Capote erfährt aus der New York Times von dem Verbrechen und beschließt, am Tatort zu recherchieren. Er spricht mit Bekannten und Freunden der Familie, mit der Polizei. Schließlich erhält er Gelegenheit, mit den beiden Mördern zu reden. Mit der Zeit gelingt es ihm, so viel Nähe zu ihnen herzustellen, dass sie ihm präzise Innenansichten ihrer Seele erlauben. Fast sechs Jahre nach ihrer Tat begleitet er sie bis an den Galgen. Capotes herausragende Rekonstruktion eines Mordes wurde eine Sensation und begründete ein neues literarisches Genre: die "non-fiction novel", den Tatsachenroman. In einer atemberaubenden Sprache erzählt er, wie aus Menschen Mörder werden. Mit Kaltblütig landete Capote einen internationalen Bestseller.

Ideology in Cold Blood

Ideology in Cold Blood Author Shadi BARTSCH
ISBN-10 0674020553
Year 2009-06-30
Pages 236
Language en
Publisher Harvard University Press
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Is Lucan's brilliant and grotesque epic Civil War an example of ideological poetry at its most flagrant, or is it a work that despairingly proclaims the meaninglessness of ideology? Shadi Bartsch offers a startlingly new answer to this split debate on the Roman poet's magnum opus. Reflecting on the disintegration of the Roman republic in the wake of the civil war that began in 49 B.C., Lucan (writing during the grim tyranny of Nero's Rome) recounts that fateful conflict with a strangely ambiguous portrayal of his republican hero, Pompey. Although the story is one of a tragic defeat, the language of his epic is more often violent and nihilistic than heroic and tragic. And Lucan is oddly fascinated by the graphic destruction of lives, the violation of human bodies--an interest paralleled in his deviant syntax and fragmented poetry. In an analysis that draws on contemporary political thought ranging from Hannah Arendt and Richard Rorty to the poetry of Vietnam veterans, as well as on literary theory and ancient sources, Bartsch finds in the paradoxes of Lucan's poetry both a political irony that responds to the universally perceived need for, yet suspicion of, ideology, and a recourse to the redemptive power of storytelling. This shrewd and lively book contributes substantially to our understanding of Roman civilization and of poetry as a means of political expression. Table of Contents: Preface Introduction The Subject under Siege Paradox, Doubling, and Despair Pompey as Pivot The Will to Believe History without Banisters Notes Bibliography Index Reviews of this book: The problem of Lucan's stance is notorious, and it is the focus of Bartsch's book...She makes her own gripping contribution to the dossier of Lucanian despair in her first two chapters; but she believes that ultimately such interpretations sell the poet short, as an artist and a person. Her Lucan, both inside and outside his poem, is a Sartrean existentialist or a Rortyan moral ironist, who accepts the evanescence of traditional moral and political verities but who behaves as if his ideology matters anyhow and makes his choice regardless. Hence the "ideology in cold blood" of her title: Lucan knows, and spellbindingly demonstrates, that Liberty is a cipher, but he commits himself to it none the less. Bartsch has put her finger on a key issue, and her passionate book is a useful check to the establishment of a new orthodoxy on Lucan. --Denis Feeney, Times Literary Supplement Reviews of this book: This could be that elusive creature, an Important Book. --Gideon Nisbet, Bryn Mawr Classical Review Reviews of this book: This is a stimulating work, which I find has provoked many questions about Lucan's poem, about liberal irony, and about history...The strengths of this book lie in its brevity, in its integration of detailed analyses with broader theoretical issues, and in its accessibility. It addresses a question which is of relevance to not only Lucanians, or Latinists, or classicists, but anyone who thinks about the politics of literature. --Ellen O'Gorman, Classical World Reviews of this book: Bartsch goes far beyond the boundaries of Lucan's Civil War itself. Readers interested in Latin literature in general, in the civil wars that ended the Republic, in the political context of the first centuries B.C.E. and C.E., in questions of human response to political repression long after Lucan, and those interested in Lucan himself as poet and conspirator, will want to read Ideology in Cold Blood. Bartsch has taken two prevailing camps of criticism--Lucan as "nihilist" and Lucan as "partisan"--and proposed an elegantly argued third alternative: Lucan as "political ironist." --Choice Reviews of this book: Ideology in Cold Blood provides a strikingly dissident approach to Lucan in that it aims to weld together a text-oriented focus, a political reading of the Civil War and a discussion of Lucan's political activities, i.e. his involvement in the Pisonian conspiracy. Bartsch's decision to include a biographical approach in her analysis should not be taken for bland naivety coming at a time when influential scholars on Lucan have come to reject this approach for the blatant fallacies that it entails. Bartsch offers something completely novel in this area, for it is entirely obvious that her sympathies do not lie with forms of historical reconstructionism in which the biographical data are simply made to correlate with the presumed political message of the poem...[Bartsch's book] will surely be ranked among the best works on the poet and I strongly recommend it to scholars interested in the literature of the Principate and in the role of Roman political epic. --Marc Kleijwegt, Scholia

Life in Cold Blood

Life in Cold Blood Author David Attenborough
ISBN-10 UCSC:32106019533311
Year 2008
Pages 288
Language en
Publisher
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Offers glimpses into the world of amphibians and reptiles and tells the history of their pioneering ancestors, the story of these animals' success, and the profound implications of their uncertain future.

Truman Capote s Nonfiction Novel In Cold Blood and Bennett Miller s Biopic Capote

Truman Capote s Nonfiction Novel  In Cold Blood  and Bennett Miller s Biopic  Capote Author Michael Helten
ISBN-10 9783640526154
Year 2013-10
Pages 104
Language en
Publisher GRIN Verlag
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Examination Thesis from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1, University of Freiburg, language: English, abstract: When In Cold Blood was first published, critics had a hard time categorizing the book. Capote himself held that he had written a "nonfiction novel (Capote in Plimpton 1966: 2)" and that he had thereby created an altogether new genre. In the subtitle, Capote stresses his central claim regarding this new genre, assuring the reader that what she is about to delve into is "a true account of a multiple murder and its consequences (Capote 2000 [1966])." As will be seen in the opening chapter, criticism of In Cold Blood has therefore to a great degree revolved around Capote's and the book's adherence to this assertion of truth. The Shorter Oxford English Dictionary on Historical Principles (SOED) lists as the three first entries under the head word "true" true /tru: / 1 Steadfast in allegiance, loyal; faithful, constant (...). 2 Honest, honourable, upright, virtuous; straightforward, sincere (...). 3 Of a statement, report, etc.: consistent with fact; conforming with reality (...). The following investigation of In Cold Blood and of the biopic based on Capote's work on the book, Bennett Miller's Capote (2005), will proceed along the lines of these three aspects of the definition, questioning Capote's claim of rendering a "true account." The genre chapter and large parts of the ensuing discussion of In Cold Blood will be especially concerned with the definition's third aspect, In Cold Blood's consistency with fact and its conformity with reality. The question will be raised as to whether or not a true account of real events is possible at all, and in what ways Capote and other writers of New Journalism, as the genre is most frequently called today, have tried to achieve such true accounts.

In Cold Blood

In Cold Blood Author Mark Dawson
ISBN-10
Year 2015-03-21
Pages
Language en
Publisher Mark Dawson
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The new book from acclaimed writer Mark Dawson (author of the #1 bestselling JOHN MILTON series), IN COLD BLOOD is an action-packed thriller about ruthless betrayal and bloodthirsty vengeance. REVENGE IS A DISH BEST SERVED COLD Beatrix Rose was the most dangerous assassin in an off-the-books government kill squad until her former boss betrayed her. A decade later, she emerges from the Hong Kong underworld with payback on her mind. They gunned down her husband and kidnapped her daughter, and now the debt needs to be repaid. It’s a blood feud she didn’t start but she is going to finish. Beatrix has already crossed one name off her Kill List. Her second target is a mercenary being held hostage by Somali terrorists. Can she infiltrate the most dangerous failed state on the planet and scrub him off the List, too? Packed with explosive action and page-turning suspense, this is the must-read first novel in a brand new series that is sure to be as successful as the John Milton series.

Truman Capote s In Cold Blood New Journalism as an Instrument of Social Criticism

Truman Capote s In Cold Blood   New Journalism as an Instrument of Social Criticism Author Natalie Lewis
ISBN-10 9783638507547
Year 2006-06-02
Pages 28
Language en
Publisher GRIN Verlag
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Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Free University of Berlin (JFK), course: American Culture of the Sixties, 17 entries in the bibliography, language: English, abstract: In 1965, one of America's most controversial authors, Truman Capote, published his non-fiction novelIn Cold Blood,an account of the 1959 murder of four members of a Kansas farming family. The work does not only give a broad panoramatic description of the world of the victims and their killers but also captures the image of a society standing on the verge of unknown challenges and threats. The American post-war decade was marked by a stable economy, widespread prosperity, social mobility and conformity. As President Eisenhower pursued the Cold War abroad, American society was concerned with security at home. The young generation of the 1950s conformed to traditional family values; marriage and birth rates reached a record high. Many citizens could now afford to obtain the American dream: a house in the suburbs, at least one car and a television set. The ideal middle class family, as it was epitomized in the media, consisted of a providing father, a cheerful homemaker and mother, and disciplined children. In the 1960s, a climate of rebellion, confrontation and upheaval altered the consensus which had dominated the nation throughout the Eisenhower era. The country suddenly found itself in an ongoing crisis. Social reform movements challenged established traditions and moral values. American culture was profoundly transformed as the 1960s created a more open society in which social structures were questioned, trust in the government dispelled, free expression expanded and counter-cultural life styles emerged. In his novelIn Cold Blood,Capote questioned the essence of American society, its judicial system and the way in which crime and criminals are dealt with. He effectively used the non-fiction novel as an instrument of implicit social criticism. By applying literary techniques to non-fictional material, the author looked beyond the surface of given facts and turned the Clutter case into an allegory of American social life.In Cold Bloodexposed the fragility of American family values and revealed the ambiguity of the American way of life by contrasting middle class affluence with an economic underworld of deprived Americans.